Hollywood’s typical movie of the year
Thursday, August 19th, 2010He holds her close, kissing her forehead; small delicate kisses such as one would give a flower. The sound of wind in the leaves, a soft rushing not unlike water receding from a sandy shore, accompanies her auburn hair sliding off her pearly shoulders. She turns to the left, eyes closing.
At the sudden sound of rapid gunfire her eyes widen, and she opens her mouth as if to scream. He gently places his hand over her parted lips, and whispers “Shhhh.” She shakes her head, her eyes searching right and left. His grip gets firmer. “Shhhhh!” he whispers again insistently, more like an order than a suggestion.
She blinks, the screen darkens, and suddenly she is standing in a darkly paneled living room, soft amber light seeping through the mica shade of a 1915 Dirk Van Erp lamp. From another room the sound of a radio seeps softly down the darkened hallway. “Dinner’s almost ready,” a voice calls, “Don’t forget to wash your hands.”
As she turns towards the bath, a flash of light followed by a soundless concussion throws her against the wall. A wall of flame moves its way in slow motion down the hallway, a billowing golden cloud ringed with flame. As if in a dream she grabs for the door, closing it just as the first tongue of fire penetrates the room. As sound returns, it merges with the shuffle of blowing leaves and the glare of fire fades into gentle greenness and then to black.
“This is what they were looking for,” a man’s voice says in the blackness. “They won’t stop until they find it.” The scene begins to emerge from utter darkness to the glowing light of a LCD monitor. A uniformed hand reaches towards the screen, and touches a glowing dot of red. The camera moves up his arm, across medals and a rectangular name patch at his chest saying “Swanton.” Panning back, we see his face. He holds his finger to his lips. “Shhhh,” he says.
“I’m confused,” a woman’s voice this time. “They could have had it anytime. It’s not like it was hidden or anything, I mean, it’s right where it always is.” Four stern-looking male faces turn toward her. “What do you mean not hidden?” A burly, short-cropped gray-haired Colonel, beads of sweat forming on his upper lip, asks. “Wait, what’s that noise?”
A door bursts open and a thundering automatic weapon begins to spray bullets into the room. A fog of red mist travels across the field of view as one of the men collapses. Bright flashes of light create a strobe effect articulating slow-motion slaughter. The camera moves in tightly on a woman as her eyes widen, tighter and tighter, all the way in so that the screen is finally filled with just inky blackness, the pupil of her eye.
Sounds of roaring surf and laughing children arise together in brightening sunshine. A red and white checkered cloth covers a picnic table piled high with dishes of food – fried chicken, corn on the cob, baked beans, sliced bread. A golden retriever sits quietly upright on the bench, a bandana tied around his neck. Next to it an eight-year old girl is staring into the distance looking confused. A voice asks, “Have some chicken, sweetie?”















